A compelling romance bound in tragedy, IL GRIDO is a fascinating missing link in the career of Michelangelo Antonioni, marking his transition from the neorealist impulses expressed in Le Amiche (The Girl Friends, 1955) and I Vinti (The Vanquished, 1952), toward the more subjectively stylized approach of such classic works as L'Avventura (1959), La Notte (1961) and Red Desert (1964).
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