Last year one of my friends got married and she asked me to do a paper cutting for her ketubah (here's the post about it). This year another friend in the same group got married, and she asked me to do her ketubah as well! She asked for a design based on the lake in Central Park, which was where she got engaged (in a rowboat), so I looked up some reference photos and got to work designing. Here's the finished project (click on the photo to see a bigger version):
It's 18"x24" and I used Hygloss silhouette paper. I also designed the backing (laying out a language you can't read is quite difficult!) and had it printed as a giclee print. My friend and her husband love it, and I'm pleased with how it turned out. She was the last of our group to get married, so this may be my last ketubah for a while!
Hi all! I'm excited to post pictures of my most ambitious craft project to date. My good friend was getting married, and she asked me if I would be willing to do a papercutting for her ketubah (a Jewish wedding contract). Of course I said yes!
We tossed around ideas for a long time, and she ultimately decided she liked the idea of a four-seasons-themed design. We settled on 24"x24" (a.k.a. HUGE) for the final size, with a 12" circle cut out of the center to accommodate the text. I got to work designing the ketubah on the computer, sending versions back and forth with my friend until it was perfect. Then I transferred the design to a giant piece of paper and I got cutting! After many, many hours, I finished cutting out the design (click on the pictures to see larger versions):
Then I needed to figure out what kind of backing to put behind the cutting, to make it stand out against the print of the text that would be behind it. My friend had been admiring some designs that had watercolor backgrounds, so I decided to take out my chalk pastels and make a watercolor-ish lining in cool colors.
Testing out how the cutting looked on top of the background:
Trimmed the background and popped in a hastily-printed-out sample of the text to make sure everything fit together:
Then I carefully rolled everything up, put it in a shipping tube, and mailed it to my friend! It was a very stressful few days, waiting for it to arrive safely. :-)
Finally, here's a picture my friend took of the ketubah in a frame with the final printing of the text!
I'm not sure how long it took me, since I cut it in bits and spurts between bouts of finishing my dissertation(!). I'm really happy with how it turned out, and my friend and her husband love it. Another good friend has already asked me to make the ketubah for her wedding next year!
(This isn't nearly as impressive as any of the other costumes posted here, but I figured I'd share it anyway!)
For Halloween this year, I wanted to parody the way that things for girls/women are always just the things for boys/men but in pink and "sexier." I decided to take the epitome of manliness and transform him into a feminist icon. Behold: Feminist Rambo!
I sewed a bandolier and headband out of pink camouflage fabric. But wait, what are those bullets in the bandolier?
They're OB tampons!
To accessorize my costume, I bought a toy M16 and painted it Pepto-Bismol pink, adding a black female icon to the stock. This is therefore not a great costume to wear in public (unless you want to be shot by a cop), but it was a big hit at the grad student parties I went to.
Here's a picture of all the components of the costume:
For my father's birthday I decided to make him a set of six small papercuttings inspired by my favorite poem, Eliot's "The Love Song of J. Alfred Prufrock." I chose six lines from the poem and tried to capture them in illustrations cut into cardstock. Each one is the size of an ATC (2.5" x 3.5"). Here's the full set:
And here are close-ups of each individual one:
The first line of the poem: "Let us go then, you and I." I think this is, composition-wise, probably the dud of the set, but I'm too lazy to redo it. :-)
"Do I dare disturb the universe?" Technically that's a galaxy rather than the entire universe, but I only had 9 square inches to work with. ;-)
(Whoops, just realized I put them in the wrong order in the picture of all six! This comes before the next one instead of after.) This comes from my favorite part of the poem: "I should have been a pair of ragged claws / scuttling across the floors of silent seas." You may be able to tell it was the first one I made, because it's the most detailed. :-)
"I grow old... / I grow old..." I like this one because it alludes to a few different lines from the poem: the bottom of his trousers are rolled, he's walking on the beach, and note the half-eaten peach on the ground.
"I have heard the mermaids singing, each to each." This is another one of my favorites.
This one's a little hard to read, but if you're familiar with the poem you can probably figure out that it's the last line: "[Till] human voices wake us and we drown."
Normally when I make papercuttings, I design them on the computer; this was the first time I've sketched them out by hand and sort of improvised my way through them. I'm really pleased with how they turned out (some more than others), and I think I'm going to teach myself how to screen print so that I can make a print of them to keep for myself!
I made this bowl as a birthday gift for a friend. It was my first major etching project (I had previously used etching cream for some small dichroic glass pieces, but never for large designs and never on clear glass). I used contact paper as a stencil and cut the general outline of the fern out with an Xacto knife, then drew in some details with a fine-tip Sharpie (which acts as a resist for the etching cream, surprisingly!).
This is actually the second attempt, since I messed up the first bowl by following the etching cream's instructions to leave it on for one minute. The resulting design was so faint it was barely visible. After some trial and error I settled on 5 minutes as a good length of time for the etching cream to sit on the glass.
Click on the photos to see larger versions!
(I'm still trying to figure out how to successfully photograph transparent objects, as you can tell...)
My parents adopted a cat a few years ago and named him Leo (after Leopold Bloom). Because my dad spent the days working from home, he quickly became Leo's primary caregiver and Favorite Person in the World. Leo will sit at my father's feet and meow until my dad makes eye contact with him, whereupon he will jump up into my father's arms and lie down across his shoulders, purring contentedly.
For my father's birthday, I made this drawing from a photo that I took of Leo wrapped around my father's shoulders while my father prepares a beef tenderloin. I love the juxtaposition of the massive amount of raw meat and the cat who couldn't be less interested and just wants to snuggle. Click the photo to see a larger version:
Done in pencil and charcoal. (I had never really used charcoal before, so this was a learning experience!) It turns out raw steaks are really hard to draw!
I made these two papercuttings recently. The first one was a gift for my mother; the quotation is from Khalil Gibran's "The Prophet." The second one was a gift for a friend who loves Winnie the Pooh; it was my first time designing the text freehand instead of using a typeface! The first is cut out of an 8.5"x11" sheet of paper and the second one is in an 8"x10" frame, to give you a sense of scale.
I know, I know, so unoriginal. Rainbow cakes are totally played out. But I had to try my hand at it, especially since my partner loves bright colors (like, to an almost unhealthy extent -- I have had to make quite a few wardrobe interventions in our many years together).
I used a bundt pan, because I liked the idea of a cross-section with all the colors layered on top of one another. I'm slightly ashamed to say that I used cake mix, both because I didn't have much time and because my cake-baking skills do not yet measure up to Ms. Crocker's in the taste department.
It took a long time to layer the colors. In my head, the cross-section of the cake was going to have perfectly horizontal layers of color. So I didn't just want to just ploomf one layer of color on top of another and let it sink in unevenly. I slowly drizzled each layer, trying to keep it as spread out as possible. I also used less batter for the layers closest to the top of the cake (when unmolded) and more for the layers at the bottom, because I wanted each layer to be approximately the same thickness despite the tapering of the pan. Here's the cake, still in the pan:
I was quite surprised to see how everything swirled together in the oven -- there went my visions of a perfectly stratified cake! When it had cooled a bit and I unmolded it, I had some sticking problems. On the bright side, it gave me a preview of the inside of the cake!
I attempted to glue everything back together with some frosting. (I did make the frosting myself!) After letting it dry for a bit, I frosted the cake. I wanted the rainbow insides to be a surprise, so I chose a thematic yet non-obvious sky theme:
(Why yes, that IS an enormous can of gefilte fish in the background. Do you like my composition skills?)
When my partner cut into the cake, he was super excited to discover the rainbow hidden inside.
You can see that, as the cake baked, the layer at the bottom of the pan (now the top of the cake) cooked first and began rising up around the edges of the pan. This resulted in an arched rainbow that, while not as neat as what I had imagined, actually seems more appropriate. I think if I had used equal amounts of batter for all the colors (instead of using less red/orange and more purple/blue) then it would have looked even more like a rainbow.
The best part about the cake was how beautiful the crumbs were. In the daylight they were like little glowing jewels -- I tried to capture it on camera but couldn't come close.
I made this for my partner for his birthday. It took me a few days to finish, working a few hours each day. I used a piece of shimmery scrapbooking cardstock that almost had a plastic-y feel to it, which turned out to be a great material for papercutting, because it's nice and sturdy but the craft knife glides through it smoothly (unlike textured cardstock).
(Click photos for bigger images)
For a sense of scale, the frame is 11"x14", and the cutting itself is probably about 8"x10". I chose a quotation from e.e. cummings's "i carry your heart with me" poem, and decided to pair it with an (admittedly anachronistic) Art Nouveau design. I designed it on my computer using a couple of Art Nouveau fonts and one big Art Nouveau "ding" that I found at House of Lime.
Here's a picture without the glare from the flash:
I'm really happy with how it turned out, and my partner loves it!