Anyway, all I know is that my scarf is complete, in all it's crocheted, patched and mismatched glory. I started it in mid-November. The crocheting has been completed for awhile, but I just completed the patches this evening. Right now, I am just about ready to watch Tom Baker's final episode as the Doctor, so I guess it's appropriate that I'm finished with the scarf.
I used the original scarf pattern, found at http://www.doctorwhoscarf.com/pdf/original.pdf. Even though the true scarves were knit, these patterns show rows and colors, so it was easy to work it as a series of single crocheted rows. I made it with a G sized hook, 40 sc wide. My foundation row was actually 41 sc wide, which equals 8 inches wide and roughly 19 feet long.
I purposely did not go crazy in trying to match the colors perfectly. I didn't want to get bogged down with this project. I wanted to enjoy it and just kind of take it as it all came. In fact, there were a couple colors of yarn that I didn't have enough to complete the scarf, so I added in another yarn of a similar color each time. To me, it just made me think the Doctor would approve. I'm pretty sure this is a complete list of the yarn I used.
-1 skein of SignatuR Handknits, 8 Ply Pure Wool in color #630 for the camel (love this yarn's texture and thickness. I actually preferred this camel yarn more.) -1 skein of Plymouth Yarn Encore in color #6002 for more of the camel (75% acrylic, 25% wool) -1 skein of SignatuR Handknits, 8 Ply Pure Wool of navy blue as a substitute for the grey. I had the blue and a lot of the scarves I saw online seemed to have a slate blue color instead of the grey anyway. -About 3/4 skein of Caron Wintuk in Deep Crimson in color #3048 (100% acrylic) for the rust (I thought I was using a different yarn for the red, but I just found the label of the yarn I was actually using.) -1 skein of SignatuR Handknits, 8 Ply Pure Wool in color #645 for the green (see a trend here yet?) -1 skein of American Thread Aunt Lydia's Heavy Rug Yarn in Moss, color #291 (75% rayon, 25% cotton), for more of the green, but like the yellow, this was a stringy bulky weight yarn, so I actually separated it as I used it. -2-3 skeins of Trendsetter Yarns Marino VIII in color #335 (merino wool) for the purple (a very nice plum color, but I can't remember how much I used anymore) -2 skeins of Helio in color #3727 (100% Norwegian wool) for the bronze -1 skein of Lion Brand Baby's First in color #157 (Honey Bee) for the mustard, but this was a stringy bulky weight yarn, so I actually separated it as I used it. (I like the label on this yarn. It has a ruler on both edges, in centimeters and inches, which makes for a convenient quick ruler.)
There are a few rows that are actually one row longer than what the pattern called for, because I wanted all of my color changes to take place on the same side. And there are a few big chunks of color that aren't as long as the pattern called for, because I either started to run out of a yarn or I was getting sick of working on that color.
Each tassel has a piece of each color yarn. To determine the length of the tassels, I doubled the width of the scarf.
The patches came from a plaid curtain from my mom a few years ago. It was too long for the room I hung it in, so I cut it to cafe curtain length and kept the rest. I tried using some iron on fusing first to help the patches stick, but it wasn't taking. I think it was just old, so I originally whipped stitched some of the patches on by hand. I didn't like how messy that looked, so I got out the trusty seam ripper and removed them, and I ended up sewing them on with my machine.
I have finally started a Doctor Who scarf for myself. It's about 3.5' long right now and about 7-8" wide. I actually had it about 1.5' long once before but it was waaaaaaaaaaaaaaaaaaay too wide for my liking. Plus, I was trying something to make it look a little more like a knitted garter stitch, by doing the single crochets so they alternated in the front and back loops.
Yeah, it looked bad.
I frogged it, rolled the yarn and started over. I'm MUCH happier with it now with just the standard single crochets. I'm also doing the color changes on the same sides, so this scarf will actually end up being slightly longer because I'm adding a row, if necessary to each color, to make the color changes uniform.
It's being made on a G sized hook.
Yarns included so far: --1 skein of SignatuR Handknits, 8 Ply Pure Wool in color #630 for the camel (love this yarn's texture and thickness) --1 skein of Plymouth Yarn Encore in color #6002 for more of the camel but I prefer the first camel yarn I had --1 skein of SignatuR Handknits, 8 Ply Pure Wool in color #664 for the rust (love this yarn too but this is starting to look more like a scarlet color to me) --1 skein of SignatuR Handknits, 8 Ply Pure Wool in color #645 for the green (see a trend here yet?) --Almost 2 skeins of Trendsetter Yarns Marino VIII in color #335 for the purple (a very nice plum color) --1 skein of Helio in color #3727 (I think, the label is in Dutch) for the bronze --1 skein of Plymouth Yarn Encore in color #6002 --1 skein of Lion Brand Baby's First in color #157 (Honey Bee) for the yellow, but this was a stringy bulky weight yarn, so I'm actually separating it as I use it. (I like the label on this yarn. It has a ruler on both edges, in centimeters and inches, which makes for a convenient quick ruler.)
As the name specifies, this is a short length, short sleeved cardigan. For my own, I made it longer in length but kept my sleeves about like Monica's.
I loved this pattern because it works up like the babies' and little kids' tunics I've made over the years. This keeps me from having to figure out a toddler's pattern like this on how to make it fit an adult. My math isn't that great. There would have been a lot of swearing involved if I had to wing a pattern on my own.
It also worked up super quick, because you're working from the top down, and then back and forth. The body and each sleeves are the only pieces to it, for a total of three pieces. And really, the sleeves aren't separate, they are just worked after the body is done. There's no sewing even, because you continue to work the same pattern from the body when you start the sleeves.
For mine, I used a G sized hook. This was a total stashbuster, too, which was a nice little perk, because I am not buying any more yarn on a whim anymore. I am only buying for each project and that's it.
I wonder how long my resolve for that will last.
Here is what I used up: --2 skeins of Universal Yarns in Classic Shades in Rainforest (#715)--This looks so beautiful until you start getting into the inside of the skein. The yarn's variegated color starts taking on a muddy look to it that overwhelms the rest of the colors in the skein. --1 skein of Premier Yarns Deborah Norville Collection in Royal Blue (#ED-100-09) --2 skeins of Plymouth Yarn Boku in color #7--This color actually matches the Rainforest pretty damn well. While the Rainforest was 70% acrylic and 30% wool, the Boku is 95% wool and 5% silk, which gives it such a unique feel. I really liked the Boku yarn. Really shitty picture from my cell phone. --Almost one entire pound of Lion Brand in Denim (the same stuff I used for the overalls on a minion I made) --Almost one skein of some random other blue I had laying around in my stash. There wasn't a label on it, but I'm thinking it's probably a Red Heart yarn.
The two large purple buttons were scavenged from my stash from a pillow I bought a while back at the thrift store when I needed fiber fill.
The snaps came from the sweater that I turned into hats, which, BTW, I ended up sending up to NYC for the Sandy Craftalong. I decided I couldn't gift them to people I know when I wasn't really happy with them.
I am really happy with how this turned out! It's going to be especially warm, because of the yarn and how it overlaps in the front. I think this would be a good sweater for under my motorcycle jacket. I wouldn't need to zip in the lining then.
Painted Threads (http://paintedthreadsprojects.blogspot.com/2012/05/diy-ombre-skirt.html) has a super easy DIY Ombre Skirt tutorial. I just got this Christopher & Banks skirt out of the washing machine. I've had it for a while. My mom actually got it for me. I like it but it's a little bit on the bland side. I think it's because it's so dark and I usually don't wear that dark of denim.
I've bleached the holy hell out of the bottom part of this skirt and can't get it as white as I would like but it was looking pretty good when I rinsed it and threw it into the washer.
I am going to let it air dry tonight and run it through the dryer in the morning with a dryer sheet. It still really smells like bleach, even after being washed. Originally. I thought I hadn't been able to get the bottom as stark white as I would have liked, but it surprised me. And even though I rinsed the skirt out before washing it, that middle section came out lighter than I wanted, but still...I love how this turned out!!!!! My laundry room was a little dark tonight, so the top part is really not that dark. The before picture above it actually truer to life.
I got my swap goodies from Shynii and Friday and she is an amazing artist!!!
Shynii painted just all of the packaging with this beautiful outer space watercolor design.
I wonder what was in this little pouch...
OMG, it's an adorable portrait of Tom Baker!!!! Right now, I have this tucked into a mirror frame in my crafting room. I'm fighting the weirdest urge to color it, for some reason. I think I might scan it and save it as a JPG so I can "color" it later on in Photoshop without ruining her work.
A TARDIS pin and necklace. If you hold the TARDIS up to the light, you can see light coming through the windows. "The Doctor is in!" On the charms with the necklace, she translated my name into Gallifreian. AWESOME!!!!!
The jewelry came in this starry pouch, complete with a leather TARDIS tag, which has a cut out D for Doctor on the other side.
But here we go...the best part...Shynii drew a beautiful, thoughtful portrait of #4 (that's my second favorite doctor and where I'm currently at in watching the entire series), and put him in a Gallifrian-themed frame with a clay Dalek adornment.
A long time ago, before Hurricane Katrina ever tried to wipe out New Orleans, I came across a family's Halloween idea site. One of the many ideas I loved about this site was the horseman idea the King family posted: "Create this neat prop by using a child's horse. Paint it all black, eyes painted white, and stick a skeleton on the saddle. Then attach real rope to the face and use a child's size grim reaper costume." The idea stuck with me for some time and I kept it filed away in the back of my head. (The family that runs the site lost EVERYTHING when Katrina blew through.)
Then I discovered Craftster. A fabulous post over here caught my eye, on how to turn a child's bounce horse into a carousel horse. And somehow in the twisted confines of my head, these two projects combined to form a carousel My Little Halloween Pony.
I bought this used for $10, because the dowel for the handles on the top of the head was missing. I removed the American Flyer frame and was going to put it out for the metal scrappers, but a man came past our house, recognized it for what it was and asked me if he could have it. He legitimately seemed surprised that I gave it to him. The horse was standard black and very dirty. The dowel where the stirrups hang was starting to rot.
Primed in our driveway. I used Rustoleum Extra Cover Primer, Rust Control flat black for the quick and dirty spray jobs I did on the mane and tail, and Textured grey spray paint for the body. Unfortunately, it wasn't as textured as I was hoping. I was originally concerned that the details in the saddle (it's just a blow mold plastic horse) would disappear once primed, but that wasn't the case here.
Umbrella base for support from Ace Hardware, a wooden dowel, a random furniture leg from Home Depot, and some PVC pipe fittings. The saddle area is still primer, but the rest of the horse has it's first coats of paint.
In our dining room at this point. The pole has been sprayed with aluminum paint, left over from my Jedi communicator project earlier this year. The first bit of detail painting has begun. Do you see the vampire bite marks on the horse's neck? It even has a little dribble of blood running down.
Done with the detail painting and the clear coats. I also went back to the mane and tail, and brushed on some blue glitter paint on the top parts of the hair to catch the light, kind of like highlights. I also ran a thin paintbrush, dipped in the darkest black paint I had, through the deepest parts of the mane and tail, to show depth. I actually ended up being quite happy with how some of the paint crackled and ran, once the clear coat was applied. In some places, it looks like veins. The umbrella base is a little larger than the dowel, so I have to finagle it into place to make it stand straight. I purposely drilled the holes for the pole through the middle of the saddle, instead of more towards the front. We have some "interactive" looking props in our yard for Halloween. While we don't let anyone play with them (so no one can get hurt), we can't be there 24/7. So I wanted to avoid any parents seeing this in our yard and think, "Oh, the baby would look so cute sitting on that carousel horse. Let's put her up there and take a picture real quick!" This horse is supported on the pole with super glue, hot glue and 550 cord. While the bottom PVC fitting makes for a pretty tight fit to hold the horse up, it's not fool proof. If a parent put their kid on this, the kid will fall when the horse breaks and then they'd probably want to sue us. But, since they can't sit their kid on the saddle, problem avoided!
The finished horse of doooooooooooooooooooooom! To hide the hot glue mess in the saddle, I dressed it up with some ribbon I had and some flowers/leaves from the Dollar Tree.