Oh man but this is kicking my ass. I am 48 and apparently the perimenopause can last ten years. Hot flashes I had gotten kinda used to, annoying as hell and necessitating rethiniking my wardrobe. I lecture and in an hours lecture I swear I take my cardigan off at least three or four times. I spend half of the night kicking covers off.. I can deal with the red face.
but the last couple of times the moodswings are wrecking my head. Today I wanted to alternately cry and kill someone. So I figured I needed to get busy doing something, I made this small shrine.
inside..what a hot flash feels like
right and left sides are respectively a woman shooting a gun and holding dynamite. All of these images are from a book of reprints of mens adventure magazines, All of the women are in imminent danger of loosing their tops.
outside old crone types. Yes I know they are Froud faries, but they look old..which is apparently what I have to look forward to when this is over. Time ticking away with a devil in charge on top..this heat has to come from somewhere..
I did a class the other day and we were learning about watercolours with pen and ink...I have dabbled in this before, but learned a lot. we copied the line drawing, I altered the perspective a little, but realised after I had applied paint that there is still a bit of an issue with the perspective of the roof on the right, apart from that I am happy with it.
I have wanted to use this block plane in a painting for ages, it is an old one and really quite beautiful. I was going for a sort of 'workman downs tools, for a snack' type thing. The knife is a gorgeous new kitchen knife that has a great shape, plus a wooden box and some pears.
this was very frustrating and I am not sure it is still quite right, the plane is just a funny shape and I think it still needs a little bit more work...I keep seeing flaws and have fixed them, but there is still something wrong...
I see from the photo that the back curve of the plane is wrong, needs to dip down a bit more..the angle of the photo isn't quite the angle that i painted it at, I was looking down a little more..also I had to extend the box as once painted the plane looked as though it was floating and was really wrong...it could do with a bit more shadow at that extended side
comments and suggestions really welcome.
Ok so I have reworked it a bit, deepened the box shadow, and the side of the box and adjusted the top of the plane. but I am stopping now because each time I rework it I feel it loses some of it's immediacy..and it definitely becomes something other than a 2 hour oil painting..
Good points Always, I see what you mean about the shadow on the cloth.
back to my art group last night, a group from my house this time, the black lidded tankard in the background is an antique that my cousin gave to me as a house warming as it is contemporaneous with my house, (c1840), bread and a lighted candle.
the bread is OK, the candle was a bugger to paint, flames are hard, especially when the stuff around the flame is not really dark enough. The tankard is OK, but very black so there was a lot of contrast...all in all I am reasonably happy with it.
Constructive criticism very welcome.
this is the original group, I adjusted it from this, tore off some bread and changed the angle of it relative to the other things. I had painted the motif on the tankard, but it was only after I painted it that I noticed that it wasn't put on properly on the tankard, I painted it as I saw it but it messed up the perspective, and flatted the tankard into 2D, so I wiped it and painted an invented one.
Difficult as the wicker basket was a bit of a puzzle but I am happy with the elements, not particularly happy with the fabric, I even reworked it a little but gave up in the end. and resolved to never paint folds of stuff again..
This is another eclectic collection from the charity shop. I was thinking of a HP craftalong challenge, working with things that don't naturally go together. So I paired a soft toy with kitchen stuff. Turns out I may have an obsession with jugs.. (said the bishop to the actress..*groan* sorry I couldn't resist)
this was a tricky composition and I am not sure I got it right (comments??) It is, as all of the previous ones were, oil paint, wet on wet and done from composition to finished picture in about 1 hour 40 mins. It should have been two hours, but the woman who locks up had her coat on and keys in hand 20 minutes before the time was up..and maybe it is a skill to know when to stop.
i am reasonably pleased with it, but interestingly when compared with the others that I have done, I have a definite 'style' I wonder where that comes from, is it how I see, or how that gets translated into paint..